Movement: Directing and Teaching, MA/MFA

Course information

Duration
MA, one year, full-time; two years, part-time. MFA, two years, full time. On site attendance between July and September is not mandatory.
Course start
October
Award
Master of Arts in Movement: Directing and Teaching (180 credits); Master of Fine Art in Movement: Directing and Teaching (240 credits).

About this course

Central has a long-standing and well recognised reputation for the dissemination of actor movement disciplines within the British theatre scene; these pioneering courses are the first of their kind in Europe.

The MA/MFA Movement: Directing and Teaching programme at Central:

  • Is a specialist, vocational course for performance and movement practitioners
  • Develops your expertise in movement teaching and movement directing of the actor
  • Is taught by current professionals in their field of movement pedagogy, movement direction and movement research

Movement training at Central

Tradition, experience, eclecticism and innovation epitomise Central’s understanding of movement training for the theatre and these unique courses have been created in that spirit. You will belong to the fine history of movement at Central from Litz Pisk to the present.

Who is the course suitable for?

You may be an actor or dancer who wants to diversify your skills and knowledge, you may work with actors (a dance or movement teacher, or a theatre director with a movement history), or be a practitioner from an allied field of sport/holistic practice, wanting to enhance your understanding of practical/theoretical interfaces regarding movement in contemporary performance.

Opportunities on the course

You will be offered specialist, vocational teaching in the field of movement for actors, production practice for movement directors and bespoke movement placements at Central and in other professional theatre settings, such as other conservatoires or theatre, opera, or film organisations (both in Britain and internationally).

You will have the opportunity for the development of your individual movement specialisms and apply them to the work of actors. The courses provide a rich and diverse landscape within which to address movement practices in relation to a wide range of established theatre processes and innovations in the field.

Practical movement teaching and movement directing on selected projects offers you a range of potential applications in the fields of theatre production, puppetry, animation, classical theatre, film acting, and contemporary and devised work. You are given the opportunity to develop your own practice as movement specialists according to your interests in this growing and innovative field, and you will undertake potentially ground-breaking research into movement.

Accordion

  • Course Detail

    Our approach

    You will undergo a formalised and systematic actor movement education that coincides with the emergence of a widespread social interest in all aspects of physicality and the body. There is a firm emphasis on Laban’s movement philosophy and Lecoq’s spatial and physical techniques, but the overall approach is eclectic and celebrates a variety of methods. You may encounter the work of movement practitioners such as Feldenkrais, Roth, Suzuki, Alexander, Pisk, Humphries, Barba and Grotowski.

    Our teaching methods place equal emphasis on individual and group development, through individual tutorials, group seminars and workshops. Practical sessions are designed to enhance your skills as a movement teacher or movement director.

    In the first year, students of the MA and MFA combine for terms one to three. MFA students will work independently in a second year of specialist study aimed at widening and deepening practice within a professional context.

    You will be expected to undertake one or two attachments that are supported with tutorials throughout the year, as part of an ongoing process of reflection, analysis and growth that will lead to a final dissertation submission.

    A MFA top-up year for those with an existing MA in this subject is also available.

    Assessment

    For first year students on both the MFA and MA courses, assessment is through a range of methods, including work on practical projects, written assignments and teaching/directing practice placements.

    In the last term of the MA, students work independently to complete specialist enquiry, arising from work undertaken during the course. The MFA extends into a second year that involves workplace attachments, mentorship and practice. 

    • Entry Requirements and Interviews

      You will normally have a degree or equivalent in a subject that includes an element of movement or dance. Graduates of other disciplines will be considered if they can provide evidence of previous training and experience in movement or dance. If you have a strong movement background and professional experience of working with movement for at least two years, you will be considered for non-standard entry.

      An offer will normally only be made after interview.

      An MFA top-up year for those with an existing MA in this subject is also available.

      We particularly encourage applications from groups currently under-represented in higher education, such as students with disabilities and members of Black, Asian and Minority Ethnic groups. Find out more information on Central’s commitment to equality and diversity.

      English Language

      Applicants for whom English is not their first language are required to prove their English language proficiency by gaining an overall score of 7.0 in an IELTS test. We do accept equivalent English language qualifications.

      While a test result is not required in order to submit an application, applicants are advised to gain this certification as early as possible and more information can be found through the English Language Requirements page. 

      Onsite Interview Requirements

      Before your interview/audition, you are asked to prepare the following:

      1. A 10-minute teaching exercise. You will be asked to teach someone a simple movement exercise that you would teach to a trainee actor (this should not last longer than 10 minutes). You will teach this with us on the day.

      2. A short example of your own movement work, which should last no longer than 10 minutes and reflects your particular movement style. This is you, moving in your own way. You can use music or text, it can be pre-organised or improvised in the moment – it is up to you. What is important that it shows you ‘in’ your movement ‘now’. You will perform this with us on the day.

      3. You are also required to write an essay (no longer than 1,000 words) explaining your reasons for applying to the course and a description of your movement experience – please start from a young age and include all sports, movement forms, dance training and any other movement training. Please bring a printed copy with you on the day.

      4. To submit a CV and references if you have not already provided them with your application.

      Distance Interview Requirements

      Before your interview/audition, you are asked to prepare a short film of yourself which should include the following, this should be sent to us one week before your interview/audition:

      1. A video of you teaching someone a simple movement exercise that you would teach to a trainee actor (this should not last longer than 10 minutes); please ensure that you are audible and visible as you teach.
      2. A video of a short example of your own movement work, which should last no longer than 10 minutes and reflects your particular movement style. This is you, in front of the camera moving in your own way. You can use music or text, it can be pre-organised or improvised in the moment – it is up to you. What is important that it shows you ‘in’ your movement ‘now’.
      3. Your answers to the following questions;
        • Why do you want to undertake this course?
        • What makes you a good movement teacher/movement director?
        • What areas are you looking to develop in your practice?
      4. You are also required to write an essay (no longer than 1,000 words) explaining your reasons for applying to the course and a description of your movement experience – please start from a young age and include all sports, movement forms, dance training and any other movement training.
      5. And to submit a CV and references if you have not already provided them with your application.

      For further information see the How to Apply section.

      International Applicants

      Central regularly welcomes students from all over the world – and we are proud to have a large network of alumni working internationally.

      Visit our International Students pages for advice and information on studying at Central and living in London, if you’re not a home applicant.

      There is no formal application deadline for our MA courses. Applications are assessed, and places offered on courses, on a rolling basis, and applications are closed when a course becomes full. Therefore, you are encouraged to apply as soon as possible.

    • Placements and Attachments

      Conservatoires

      • East 15 Acting School
      • Guildford School of Acting
      • Rose Bruford College
      • the animation department at Central Saint Martins
      • Central.

      Companies

      • Welsh National Opera
      • Young Vic
      • Peut-Être Theatre
      • Chickenshed Theatre
      • Royal Shakespeare Company
      • Trestle Theatre.

      Placements abroad

      These have included hosts CAP-21 in New York and university settings in Greece and Norway.

    • Recent Visiting Professionals

      • Imogen Knight (Movement Director and Choreographer)
      • Struan Leslie (Movement Director, previously Head of Movement at the Royal Shakespeare Company)
      • Jane Gibson (Movement Director for film and theatre, previously Head of Movement at the National Theatre)
      • Sue Lefton (Movement Director in theatre, film and opera)
      • Kate Flatt (Choreographer and Movement Director in theatre and opera)
      • Liz Rankin (Movement Director, Shared Experience)
      • authors on movement Mark Evans and Alison Hodge.

      Movement teachers have include:

      • Ian Brener (historical dance and period movement)
      • Natasha Fedorova
      • Marie-Gabrielle Rotie
      • Alex Croft
      • Karin Fisher-Potisk
      • Lucy Cullingford.
    • Graduate Updates

      Selected graduates of this course include:

      Lucy Cullingford (2005) Dance Repetiteur on Matilda The Musical, which won Best Choreography at the 2012 Olivier Awards. Movement director on the Broadway production of Constellations, starring Jake Gyllenhaal (2014).

      Natasha Koechl (2005) is associate professor at the University of Saskatchewan, Canada, and also has worked as Assistant Director and Movement Coach on the Canadian Premier of The Kite Runner at Theatre Calgary and the Citadel Theatre, Edmonton. 

      Polly Bennett (2011) Worked as Assistant Movement Director on the London 2012 Olympic Opening Ceremony, Mass Choreographer on the Opening and Closing Ceremonies of the Winter Olympics and the Paralympic Games. She was Resident Company Movement Practitioner at the Royal Shakespeare Company in 2013.

      Brad Cook (2009) Performed in the original Canadian cast of War Horse for the National Theatre. He will be Associate Movement Coach at the Stratford Festival in Canada for the upcoming season (2014).

      Anna Morrissey (2005) Artist in Residence for Historic Royal Palaces. Her credits as a Movement Director include King Charles III at the Almeida and Wyndhams theatres, and The World of Extreme Happiness at the National Theatre. She was also a Movement Assistant on the London 2012 Olympic Opening Ceremony.

      Sita Thomas (2012) Movement director and film maker. In 2014 was commissioned by the National Theatre to make films about movement and the role of a movement director, one of which features Diane Alison-Mitchell (2008). 

      May Bo Wu (2011) is Co-Artistic Director of Dirks Theatre in Hong Kong.

    • Recent Graduate Employment

      Graduate employment and career pathways include:

      Movement Directors

      • The Shed at the National Theatre
      • Royal Shakespeare Company (Stratford-upon-Avon and Broadway)
      • Royal Court Theatre
      • Young Vic
      • Welsh National Opera
      • Finnish and Australian Opera Companies.

      Movement Teachers, Head of Movement

      • Academy of Live and Recorded Arts
      • East 15 Acting School
      • Middlesex University
      • Rose Bruford College
      • Royal Academy of Dramatic Art

      Assistant Directors

      • Royal Shakespeare Company

      Directors

      • Glasgow Citizens Theatre

      Theatre Professors/Practitioners

      Japan, Korea, Canada, Mexico, Australia, Germany.

      Research Degrees

      • Body and Image.

      Workshop Leaders

      • Shamanistic Practices
      • Body-Mind Centering for Choreographers, Movement, Animation and Laban.
    • Graduates 2005-23

      Class of 2023 (MA/MFA Movement: Directing and Teaching)

      • MA Mariana Camiloti  
      • MA Amelia Chinnock - Shumann  
      • MA Emma Cole 
      • MA Celeste da Palma  
      • MA Hannah Jessop  
      • MA Meadhbh Lyons  
      • MA Matilda O’Grady
      • MA Line Pedersen 
      • MA Amy Rushent  
      • MA Latifat Saka  
      • MA Daniel Walsh  
      • MA Jiannan Wang 
      • MA Rebecca Wield  
      • MA Kim Wright
      • MFA Alexander Gotch  
      • MFA Richard Lee  
      • MFA Phoebe Stapleton  

      Class of 2022 (MA/MFA Movement: Directing and Teaching)

      • MA Abi Battersby
      • MA Sasha Harrington  
      • MA Joseph Lynch 
      • MA Angelika Napierala  
      • MA Rebecca Reaney 
      • MA Malwina Rog  
      • MA Maya Yoncali
      • MA Amy Lawrence 

      • MA Katie Simpson 

      • MA Rebecca Stockley  

      • MA Phao Wheatley

      • MFA Anna Alvarez
      • MFA Adi Gortler  
      • MFA Sonja Jarvisalo 
      • MFA Minho Jung  
      • MFA Valerie McCann 
      • MFA Laura Lucia Duque Molano 

      Class of 2021 (MA/MFA Movement: Directing and Teaching)

      • MA Syed Hamza Ali 
      • MA Swapnapriiya Manna  
      • MA Laura Romer-Ormiston 
      • MA Kiren Virdee 
      • MA Mary Jackson Crosse 
      • MFA Tamara Hayes Elliot 
      • MFA Sarah Sneesby
      • MFA Benjamin Peterson
      • MFA Anna Kuman

      Class of 2020 (MA/MFA Movement: Directing and Teaching)

      • MA Angela Botha
      • MA Aiden Crawford
      • MA Charles Douglas
      • MA John East 
      • MA Lucy Glassbrook  
      • MA Ewa Limanowka
      • MA Deirdre Lucas Mejias
      • MA Ana Meireles  
      • MA Emily Orme
      • MFA Karina Casiano
      • MFA Oscar Lecuyer

      Class of 2019 (MA/MFA Movement: Directing and Teaching)

      • MA Jodie Cole
      • MA Jessica Foong  
      • MA Mandy Gordon
      • MA Georgina Makhubele 
      • MA Stephanie Osztreicher 
      • MA Suzanne Priest 
      • MA Clara Solana
      • MA Jonathan Young
      • MFA Marshall Betz 
      • MFA Christina Fulcher 
      • MFA Gabriel Hirschhorn
      • MFA Sarah Lamb
      • MFA Micaela Miranda

      Class of 2018 (MA/MFA Movement: Directing and Teaching)

      • MA Bisola Bello
      • MA Nicoletta Bonanni
      • MA Sophie de Vries
      • MA Sam Hind
      • MA Sachi Kimura
      • MA Korina Kokkali
      • MA Gabriele Lombardo
      • MA Ruth Phillips
      • MA Sacha Plaige
      • MA Julie Shaw
      • MFA Diane Paola Alvarado Gaitan
      • MFA Morgan Barbour
      • MFA Tine Dambourg
      • MFA Susanna Dye
      • MFA Christian From

      Class of 2017 (MA/MFA Movement: Directing and Teaching)

      • Jessica Boyd
      • Alejandra Guarin Gutierrez
      • Rosa Manzi Reid
      • Rebecca Meltzer
      • Antonio Chuaqui Concha
      • Rose Ryan
      • Amaia Mugica
      • Rachel Wise
      • Helen Carpenter
      • Ingrid MacKinnon 
      • MFA Lama Amine
      • MFA Alejandra Chacon
      • MFA Hanna Junti

      Class of 2016 (MA/MFA Movement: Directing and Teaching)

      • Viola Bruni
      • Natasha Harrison
      • Camila Rojas Cannobbio
      • Sophie Sweetland  
      • Joanna Clare 
      • Chi-San Howard 
      • Patricia Verity 
      • Emma Grace

      Class of 2015 (MA Movement: Directing and Teaching)

      • Laura Dredger
      • Agnes Folkestad
      • Kirsty Green
      • Katherine Grube
      • Nancy Kettle
      • Nicola London
      • PG Cert Joshua MacLellan
      • Ana Marambio
      • Rachel Nouchi
      • Milly Read
      • Emma Webb

      Class of 2014 (MA Movement Studies)

      • Olivia Michalak
      • Andrea Ondruskova
      • Enric Ortuno Garcia
      • Isobel Palmer
      • Milly Read
      • Mariana Taragano
      • Anna Tringham
      • Alex Weller 

      Class of 2013 (MA Movement Studies)

      • Despoina Gorgogianni
      • Asha Jennings Grant
      • Emily Love
      • Sinead O’Keeffe
      • Alikistis Polychroni
      • Danielle Plowman
      • Tiziana Silvestre
      • Stephanie Sommer
      • Chloe Stephens
      • Iefiz Tengku-Alaudin

      Class of 2012 (MA Movement Studies)

      • Ioli Filippakopoulou
      • Melinda Little
      • Eamonn O’Connor
      • Alice Robinson
      • Hester Schrofer
      • Revital Snir
      • Sita Thomas
      • Sol Henriquez Vargas

      Class of 2011 (MA Movement Studies)

      • Polly Bennett
      • Tiffany Chan
      • Cristina Elias
      • Verna Laine
      • Stella Medvedeva
      • Sara Moncivais
      • Jenny Ogilvie
      • Rosa Saunders
      • Ashwini Shridhar
      • Ionna Strati
      • Joe Wild
      • May Bo Wu

      Class of 2010 (MA Movement Studies)

      • Jorge Bethencourt
      • Nicolina Dante
      • Anne Egseth
      • Hannah Kaye
      • Bruna Longo
      • Antonia Ptohides
      • Gema Valencia

      Class of 2009 (MA Movement Studies)

      • Vicky Aracas
      • Janet Bailey
      • Mads Christensen
      • Brad Cook
      • Anna Healey
      • Jennifer Malarkey
      • Roanna Mitchell
      • Dave Nolan
      • Dodger Philips
      • Lenia Tsigeridou
      • Alice Weissberth

      Class of 2008 (MA Movement Studies)

      • Karin Fisher Potisk
      • PJ Maske
      • Diane Alison Mitchell
      • Laetitia Payet
      • Rosalind Phillips
      • Yeojin Sung
      • Kate Thackeray

      Class of 2007 (MA Movement Studies)

      • Jenevieve Chang
      • Zoe Cobb
      • Fiona Rae
      • Nicole Graham
      • Ita O’Brien
      • Alfonso Rodriguez
      • Amadeo Rosenheim
      • Kate Sagovsky

      Class of 2006 (MA Movement Studies)

      • Angela Gasperretto
      • Sue Goodman
      • Amanda Hayes
      • Leonie Kubigsteltig
      • Claire Walsh
      • Lana Zreik

      Class of 2005 (MA Movement Studies)

      • Maria Clarke
      • Lucy Cullingford
      • Daniela Forbes
      • Natasha Martina Koechl
      • Kaoru Kuwata
      • Lenneke Mietes
      • Anna Morrissey
      • Sue Mythen
      • Kitty Owen
      • Kieran Sheehan
    • Publications by MA/MFA Movement Tutors

      Publications by the MA MFA Movement tutors include:

      Books

      2014. Actor Movement: Expression of the Physical Being by Vanessa Ewan and Debbie Green (Bloomsbury, Methuen 2014 UK / 2015 USA).

      2017 The Actor and His Body by Litz Pisk, new introduction by Ayse Tashkiran (Bloomsbury, Methuen 2017).

      2018 Laban’s Effort in Action: A Movement Handbook for Actors by Vanessa Ewan with Kate Sagovksy (Bloomsbury, Methuen 2018).

      2020.Movement Directors in Contemporary Theatre: Conversations on Craft by Ayse Tashkiran (Bloomsbury, Methuen July 2020).

      Chapters in Books

      2016 ‘Dancing Since Strapped to Their Mother’s Backs: Movement Directing on the RSC’s African Julius Caesar’ by Diane Alison Mitchell in Jarrett-Macauley, D. (ed.) Shakespeare, Race and Performance: The Diverse Bard (London, Routledge 2016)

      2016 ‘Souks, Saris and Shakespeare: Engaging young, diverse audiences at Shakespeare’s Globe and the National Theatre’, by Dr Sita Thomas in The Diverse Bard: Shakespeare, Race and Performance, ed. by Delia Jarrett-Macauley (London: Routledge, 2016)

      2016 ‘British Movement Directors’ by Ayse Tashkiran in The Routledge Companion to Jacques Lecoq, edited by Rick Kemp and Mark Evans (Abingdon; Routledge, 2016)

      2017 Mythic Place by Marianna Vogt in Dramatherapy: Reflections & Praxis, Macmillan

      Journal Articles

      “The Dog, the Guard, the Horses and the Maid”: Diverse Casting at the RSC’ by Sita Thomas (Contemporary Theatre Review, Volume 24, Issue 4, Taylor and Francis, 2014)

      2016 Much Ado About Nothing dir. By Iqbal Khan (review) by Sita Thomas (Asian Theatre Journal, Volume 32, Number 2, Fall 2015) Sita Thomas

      2018 Giraffe Time by Nicky Coutts and Vanessa Ewan Taylor and Francis online

      Ph.D. Thesis

      Ph.D. Thomas, S. (2016) ‘In Search of a New National Story’: Issues of Cultural Diversity in the Casting and Performance of Shakespeare in Britain 2012–2016’, University of Warwick

      Ph.D. Munro Beveridge, J. (2008) Dance as Encounter. A practical and theoretical investigation of 21st Century Choreography.

      Research Projects

      The Course Leaders also run the ICM (International Community for Movement).

    • Tuition Fees, Bursaries and Scholarships

      Tuition Fees for 2024 Entry

      MA/MFA Year 1 Fee

      UK (Home) students: £11,550 (Full-time), £5,775 (Part-time)*
      Overseas students: £22,050 (Full-time), £11,025 (Part-time)

      Please note that there may be additional costs that you need to incur as part of the training for the course.

      Full information is available on the Tuition Fees and Additional Costs page.


      Bursaries and Scholarships

      Central offers a range of bursaries and scholarships. If you are holding an offer for a place on a course then you will be invited to apply for a bursary or scholarship.

      *If you are a UK student but already hold a qualification at the equivalent or higher level to the one that you are applying for, then you may be classed as an ELQ student and be required to pay the same fee as an overseas student.

    Student Feedback Block (layout column)

    “The course broadened my knowledge of movement practices, but more importantly helped me to build my own practice, which is crucial. The course also supports those interested in movement to enquire and explore in a creative environment, with a range of people from a variety of backgrounds. This diversity is a rich part of what the course offers.”

    Diane Alison-Mitchell

    Graduated 2008, movement director and choreographer, credits include work at the Almeida, Royal Shakespeare Company and the Young Vic.

    “As an international student, I knew that the MA Movement course would not only introduce me to the global history of movement work, but would also serve as a laboratory; a place where I could investigate and discover my individual approach as a movement practitioner, guided by instructors who work professionally in the industry.”

    Brad Cook

    Graduated 2009, Movement Director, Coach and Instructor. Cook has taught at The Birmingham Conservatory and the Randolph College for Performing Arts. 

    Staff On The Course

    Diane achieved her MA Movement Studies at Central and has worked as an actor movement tutor and movement director/choreographer.

    Portrait of Diane Mitchell

    Vanessa Ewan is a specialist Actor Movement teacher, researcher, coach, consultant and author.

    Vanessa Ewan

    Ioli has been a visiting lecturer and academic tutor on the MA Movement: Directing and Teaching course at The Royal Central School of Speech and Drama since 2015.

    Portrait of Ioli Filippakopoulou

    Karin is a Unit Tutor, Anatomy & Physiology, on the Movement: Directing and Teaching MA/MFA course.

    Portrait of Karin Fisher-Potisk

    Jane Munro is a dance and contemporary theatre artist, a movement teacher and a dance academic.

    Jane Munro

    Ayse Tashkiran is a movement director, teacher and researcher and co-leads the MA/MFA Movement: Directing and Teaching.

    Black and white headshot of Ayse Tashkiran

    Marianna is a dramatherapist and supervisor with a background in theatre directing, devising and acting coaching.

    Profile of Marianna Vogt

    Students On The Course

    Alex Gotch is a graduate of the Royal Central School of Speech and Drama, MFA Movement: Directing and Teaching 2023.

    Alex Gotch - Headshot

    Richard is a graduate of the Royal Central School of Speech and Drama, MFA Movement: Directing and Teaching 2023.

    Richard Lee, an asian man in his 30's dancing in a green hooded sweatshirt

    Rebeca is studying on MFA Movement: Directing and Teaching, due to graduate in 2023.

    Rebeca Pereira performing Martial Arts

    Phoebe is a graduate of the Royal Central School of Speech and Drama, MFA Movement: Directing and Teaching 2023.

    Woman moves with one hand raised to the head and other under her chin

    Anna is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MFA 2022.

    Dancer in red and yellow headdress

    Abi is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    A woman makes angular body shapes in a warmly lit studio

    Emma is a graduate of the Royal Central School of Speech and Drama, Movement Directing and Teaching, MA 2023.

    Women leaning in motion wearing Red Baroque Ball Gown, Red drapes and white stage

    Laura is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MFA 2022.

    Laura Lucia Duque

    Adi is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MFA 2022.

    Adi Gortler

    Sasha is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    white women in her late 20's with ginger hair in a plait down her left shoulder. wearing a red and white striped top and a plain blue background.

    Sonja is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MFA 2022.

    Sonja Järvisalo dancing

    Minho is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MFA 2022.

    Minho Jung

    Amy is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Rehearsal Photo by Mark Dean

    Joseph is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Joseph Lynch

    Phao is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Headshot

    Valerie is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MFA 2022.

    Valerie McCann dancing in a suit in a dark room with empty chairs in the background

    Angelika is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Break Mission Bull Ring Takeover 2021, Photo taken by @_._christopher

    Rebecca is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Rebecca Reaney

    Malwina is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Headshot2

    Becky is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Becky Stockley sitting cross legged against a beige backdrop. Becky is wearing a black vest, denim shirt, green trousers and white trainers.

    Maya is a graduate of the Royal Central School of Speech and Drama, Movement: Directing and Teaching, MA 2022.

    Choreographed by Chloe Richer

    Course Video

    Share this page