Taking the Mic

A free one day conference celebrating Black British poetry in performance, hosted by Poetry Off the Page, Goldsmiths and The Royal Central School of Speech and Drama.

Black British* poets have long pushed the aesthetic and sonic boundaries of performance in spoken word, creating a compelling public voice for poetry. The legacy of this work both on and off the page follows diasporic routes in and out of Britain from Una Marson to James Berry, from the Caribbean Artists Movement to Linton Kwesi Johnson, Jean ‘Binta’ Breeze, John Agard, and Roger Robinson through to the twenty-first century poets Patience Agbabi, Jay Bernard, Anthony Joseph, Raymond Antrobus, Warsan Shire, and Caleb Femi to name a few. While fashioning electrifying performance personae, Black British spoken-word poets have equally claimed, redefined, or rejected the term ‘performance’.

To what degree does Black British spoken word poetry offer an ongoing ‘avant-garde’? From the Black People’s Day of Action to #BLM, to decolonising the curriculum, spoken word poetry plays significant roles in Black activism; bears witness to contested and forgotten histories; and imagines new futures, communities, and belongings.

To rhyme, rap, or speak of poetry performance, its lyrical forms, beats, and bars is also to invoke the voices of Black British poets and collectives across Britain’s geographical breadth. From Grace Nichols’s meditations on the English countryside, to the Mancunian Blackscribe Black feminist poetry collective; Khadijah Ibrahiim’s poetic histories of Chapeltown and Harehills, and Benjamin Zephaniah’s accounts of Brummagem; to Eric Ngalle Charles’s negotiations with his adopted ‘home’ in Wales to Jackie Kay as Scotland’s Makar; or Caleb Femi’s testimony to North Peckham— these locales, regions, and their nations reveal the multiple heritages of Black British spoken word poetry’s performance communities.

This landmark one-day conference invites participants to ‘take the mic’ and explore Black British poetry in performance, tracing its aesthetics, activisms, and auralities. We will hear keynote addresses from Jay Bernard, the 2018 Ted Hughes award and 2020 Young Writer of the Year award winner (in person), and Kayo Chingonyi, poetry editor at Bloomsbury and Fellow of the Royal Society of Literature, whose most recent collection A Blood Condition was shortlisted for the Forward Prize for Best Collection, the T.S. Eliot Prize and the Costa Poetry Award (in person).

The conference is followed by a reception, hosted by Central’s Principal Josette Bushell-Mingo OBE, and an evening of poetry performance curated by Renaissance One and Apples and Snakes.

* Black British indicates a scope, for ease of reference, to the work by poets of African or Caribbean descent who live(d) and/or published/performed a significant body of work in Britain, in a context of literary history.

Schedule

Friday 18 November from 8.30am-8.30pm

Organising Committee

• Dr Deirdre Osborne FRSA, Goldsmiths
• Dr Emily Kate Timms, Poetry off the Page, University of Vienna
• Josette Bushell-Mingo OBE, The Royal Central School of Speech and Drama
• Conference Assistant, Shannon Navarro, The Royal Central School of Speech and Drama

Online attendance option:

There are options for online attendance. Please register for an online ticket and details will be sent to you closer to the event.

Please note that a photographer will be present at this event. Attendees can opt out of being photographed.

Upon registration you consent that any data you submit will be saved by the organisers until the end of 2022. Your email will be used for the limited purpose of informing you about updates and news relating to the conference and will not be passed on to any third parties.

For further information and queries, please email Shannon Navarro.

Follow us on Twitter, @PoetryOff_Page or visit the Taking the Mic website.