Portrait of a person with glasses and facial hair sitting on steps, looking at the camera
Portrait of Lasse Bohnsack, Creative Producing MA student

Today we are speaking with Lasse Bohnsack, a current student on the Creative Producing MA about the play he is producing.

Can you tell us about your current project?

Currently, I am producing a play called ‘A Thousand Papercuts Still Skin Deep’ about the experiences of queer Asian people in London and Taipei.

The Script was written by Hector T.J. Huang who is on the MFA Writing for Stage and Broadcast Media at Central and we are working with young, emerging artists from Central and other London Drama Schools.

Two people sitting on steps posing for the camera
Portrait of playwright and MFA Writing for Stage and Broadcast Media student Hector T.J. Huang (L) and Producer, Lasse Bohnsack (R)

Did you get involved with writing this play through Central?

Hector T.J. Huang, the playwright, introduced me to the project and the director of the play. Hector and I knew each other from networking events organised by fellow Central students - so it was really Central that made this collaboration possible.

What made you want to get involved?

I was intrigued by this project from the moment I heard about it. Papercuts is about the self-discovery and experiences of queer friends - themes that I could I immediately relate to.

Drawing of a side profile on a pink background, with multiple colours on the face
Promotional poster for A Thousand Papercuts Still Skin Deep

Tell us more about the production!

‘A Thousand Papercuts Still Skin Deep’ is an exciting new play. Involving 2 timelines, 2 cities, and 4 queer friends. 

This  raw but tender play is set in both Taipei and London that dissects and attempts to heal queer angst and relationships, with a dash of offbeat humour. 

Working on this project has been huge fun and we are looking forward to our performances 24-28 May at Barons Court Theatre

Four people posing in front of a brick wall and looking at the camera
Promotional poster for A Thousand Papercuts Still Skin Deep

How has this related to your course work?

On the course, we have lots of seminars with industry professionals that are highly practical. In this project I can combine many of the things I learned before coming to Central and what we discuss in class to hone my skills and form my own practice.

What has surprised you most about your experience?

I am still surprised, how much of my experience from my time as Stage and Production Manager in Germany is transferable to my work at Central, as well as on this and other projects. I feel confident that I can apply my skills and knowledge gained from my previous work and at Central in a broad range of real work scenarios.

A group of people reading through a script for a rehearsal
A Thousand Papercuts Still Skin Deep rehearsal

How did you find out about Central and decide to study with us?

I chose to do a masters degree very late last year and at first, I did not consider Central. However, after attending an information event for the MA Creative Producing, there was no doubt, I wanted to embark on that journey. What particularly drew me in were the various opportunities to meet and work with other creatives at Central and beyond.

What are you planning to do after graduation?

At the moment I am trying to figure out what I will do after I graduate. As an international student, things are a little more expensive and I am happy that Central can support me in visa matters.


Keep up to date with A Thousand Papercuts Still Skin Deep by following the pages on Instagram @papercuts.theplay or Twitter @vibrantprods.

Catch A Thousand Papercuts Still Skin Deep from 24-28 May at Barons Court Theatre

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