|2015 - 2017||The Royal Central School of Speech and Drama, MA in Movement: Directing and Teaching|
|1986 - 1987||Dance Place in Washington D.C. USA, Dance Scholarship|
|1984 - 1986||Huddersfield Polytechnic, Certificate of Education in Further Education|
|1983 - 1984||Laban Centre, Intermediate Certificate in Dance and Movement|
|1980 - 1983||Bretton Hall College, Leeds University, BA in Creative Arts|
2016 Movement Director - After Three Sisters - Living Record Theatre Company - Brockley Jack Pub Theatre (Ross Drury )
2016 Movement Director - Echoes - Living Record Theatre Company - Edinburgh Fringe (Ross Drury)
2016 Dramaturg - The Damsel Fly and the Kingfisher - Everybodydance (Rachel Freeman)
2012 Dramaturg - The Dream - Zu Aerial - Jackson Lane Theatre (Hazel Maddocks )
2011 Movement Director - Me, Myself and You - Komedia, Brighton (Hazel Maddocks)
2008 Choreographer - Parade - West Sussex Youth Theatre (Jonathan Goodwin)
2007 Choreographer and Movement Director - James and the Giant Peach - Chichester Youth Theatre - Chichester Festival Theatre (Dale Rooks)
2007 Choreographer - Snow Queen - The Watermill, Newbury (Andy Breton)
2007 Choreographer - Romeo and Juliet - Royal National Theatre schools tour (Carl Heap)
2007 Choreographer - Picnic at Hanging Rock - West Sussex Youth Theatre - Minerva Theatre, Chichester (Bob Thompson)
2006 Movement Director - Pericles - Royal National Theatre schools tour (Carl Heap)
2006 Choreographer - Krindel Krax - schools tour for West Sussex Youth Theatre (Andy Breton)
2006 Choreographer - The Ofsted Inspector - West Sussex Youth Theatre (Toby Wiltshire)
2005 Choreographer and Movement Director - Peter Pan - West Sussex Youth Theatre - Capitol Theatre, Horsham (Lawrence Till)
Additional workshops with artists including Lisa Nelson, Rosemary Lee, Charlie Morrissey, Experience Byron in dance and integrative performance.
Historical dance with Ian Brener.
Completion of What Lies Beneath, a year-long yoga teacher development course with John Stirk that investigated the original body.
2017 Movement Tutor placement with the MA: Applied Theatre Practice Integrative Movement Practice for Actors involved a series of workshops that used techniques drawn from somatic dance, contact improvisation and physical theatre to encourage the actor connect with the original body and explore current movement practices.
2016 Movement Direction placement, BA Acting( CDT) 2nd Year students. Macbeth directed by Ng Choon Ping. Work included exploring and experimenting with Butoh inspired movement, developing the physicality of character and the play, creating choreography when required.
2016 Movement Fundamentals with 1st Year BA Acting Students, mentored by Debbie Green: leading movement games to enhance flow in Roth's Five Rhythms whilst exploring John Brittons theories on the ball game in ensembles.
Whilst working at Central Sussex College I have been part of a team delivering and developing the HNC foundation course in Performing Arts both Dance and Drama pathways, Btec National Subsidiary Diploma in Dance, Btec National Diploma in Performance.
As subject leader for Dance and Movement I have had an overview of the students learning in both the HNC and BTEC programmes, designing specific courses, ensuring coverage of the syllabus and that delivery is standardised across the subject area. I coach and mentor staff to implement the courses.
As part of my remit I have movement directed and choreographed many productions, I reimagined Cabaret in 2016 and currently we are exploring the movement of peoples and the impact on society with young actors.
2016-present Artsed Extra, Director and Movement Tutor for Youth actors Easter and Summer schools
2014-present Terence Higgins Trust, Yoga and mindfulness practitioner on Wellbeing Days and workshops for people with HIV or AIDS
2005 Southbank University, Delivering the post graduate course module on dance in primary schools to the PGCE students
1997-2007 Royal National Theatre; Workshop Leader for Primary Shakespeare and Storytelling specialising in the movement for The Tempest, Romeo and Juliet, Midsummers Night Dream, Faustus and Pericles. Responsibilities included training workshop leaders, planning and delivering workshops in schools, liaising with teachers and delivering Inset. Workshop Leader for the mobile tour of Oh What A Lovely War directed by Fiona Laird and for Backstage Pass.
I do question when I go to the theatre why I watch certain actors, I am drawn to those working in a physically integrated way, their craft appears seamless. Working with the body and movement is an essential part of any actors’ craft. Over the years I have developed an integrative approach to movement that is informed by my eclectic experiences, intuition and curiosity in life and art. I am fascinated by the vast potential that movement has on the opening of an experiential and non verbal realm, the sensory experience of the bodies as well as their transforming ability.
Exploring how somatic movement practises and contact improvisation fundamentals informs how I engage as a Movement Director and work with actors. I am interested in the impact on humanness and what is the nature of humanness, these practises can be applied across a diverse range of ages, abilities, disabilities and disciplines.
A triathlete and triathlon coach specialising in open water swimming and Junior coaching. Ongoing First Aid training, Certificate in First Aid at work. Trained yoga teacher with the Active Birth Teacher Training and a member of Yogabirth. Violin player - Grade 8, score reading.