My main areas of research are the fields of theatre directing and dramaturgy, contemporary dance performance, and institutional contexts of theatre-making, with a particular focus on the German- and Dutch-speaking European countries. My monograph Directing Scenes & Senses: The Thinking of Regie (Manchester University Press 2015) maps out my understanding of theatre direction in the European Regie tradition as a dialectical process of mediation. For a number of years, I have followed, worked on and collaborated with German theatre director Thomas Ostermeier, the artistic director of Schaubühne Berlin, on research in the methodology of theatre direction. We co-authored the book The Theatre of Thomas Ostermeier (Routledge 2016), and continue our explorations of methodologies of contemporary Regie towards future projects and publications.
The US magazine Newsweek described me as a ‘leading European theatre scholar’ (4/12/2016). I have published around seventy essays and book chapters which reflect, in particular, my keen interest in the intersections of aesthetics and politics in contemporary theatre, discussing issues such as spectatorship, conditions of production, and transcultural theatre.
My 2002 book KörPERformance (in German, Munich: ePodium) analysed movement and corporeal representations in contemporary performance. I also co-edited the collections Theater Ohne Grenzen (Munich 2003), the Performance Research-issue ‘Bodiescapes’ (2003), and the CTR special issue ‘Border Crossings: Contemporary Flemish Theatre’ (2010).
Most recently, I co-edited, with Clare Finburgh (Goldsmiths) a volume for the book series Great European Stage Directors (series editor: Central’s Emeritus Professor Simon Shepherd), discussing the work of the post-war innovators of political theatre direction in Europe, Joan Littlewood, Giorgio Strehler, and Roger Planchon.
I am currently working on editing the thirtieth anniversary re-issue of David Bradby and David Williams’s seminal study Directors’ Theatre, and on a book collection on the twentieth anniversary of Thomas Ostermeier as artistic director of Schaubühne Berlin.
Originally from Southern Bavaria, I grew up to the south of Munich (Germany), where I studied theatre, English literature, and linguistics. I graduated from Ludwig-Maximilians-Universität with a Magister Artium (M.A.), and subsequently did my Dr.phil. (PhD) under supervision of Christopher Balme. Having worked as freelance journalist, theatre critic and dramaturg, and being involved in a fringe theatre space, I was Wissenschaftlicher Assistent (Assistant Professor) for dance and performance at the Institute for Theatre Studies at Ludwig-Maximilians-Universität München.
At the University of Kent, I was a co-founder and director of the European Theatre Research Network (ETRN), with Paul Allain and Patrice Pavis, before joining Central in 2018. I have also been a Fellow at the Berlin-based research college "Interweaving Performance Cultures".
With Rachel Fensham (University of Melbourne, Australia), I co-edit the book series New World Choreographies for Palgrave Macmillan, and I am an editorial associate of Contemporary Theatre Review. Furthermore, I am member of the Theatre and Performance Research Association (TaPRA), the International Federation of Theatre Research (IFTR), and the new European Association for the Study of Theatre and Performance (EASTAP), which launches in autumn 2018.
I have supervised 12 PhD and 3 MA Research projects, and have examined dissertations in the UK, Australia and the Netherlands. I welcome innovative and inspired proposals for postgraduate research in the following areas:
2019, forthcoming. ‘Encountering a ‘theatre of (inter-)singularity’: Transformations and rejections of shifting institutional dramaturgies in contemporary German theatre’, in Erika Fischer-Lichte, Christel Weiler and Torsten Jost, eds, Shifting Dramaturgies: Composing Experiences of Interweaving Performance Cultures (Abingdon and New York: Routledge).
2018. (co-ed. with Clare Finburgh), The Great European Stage Directors, Vol. 6: Littlewood, Strehler, Planchon (London: Bloomsbury Methuen).
2018. ‘The hopeless courage of confronting contemporary realities: Milo Rau’s “globally conceived theatre of humanity”’, in Peter Eckersall and Helena Grehan, eds, The Routledge Companion to Theatre and Politics (Abingdon and New York: Routledge).
2017. ‘“An actor, but in life“: Spectatorial consciousness and materialist theatre. Some notes apropos Althusser‘, in Tony Fisher and Eve Katsouraki, eds, Performing Antagonism: Theatre, Performance & Radical Democracy (Basingstoke and New York: Palgrave Macmillan), pp81-99.
2016. (co-author with Thomas Ostermeier) The Theatre of Thomas Ostermeier (Abingdon and New York: Routledge)
2015. Directing Scenes & Senses: The Thinking of Regie (Manchester: Manchester University Press)
2014. ‘Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship’, in Broderick Chow and Alex Mangold, eds, Žižek & Performance (Basingstoke and New York: Palgrave), pp48-60.
2014. ‘What happened to our Nation of Culture? Staging the theatre of the Other Germany ‘, in Nadine Holdsworth, ed., Theatre and National Identity: Re-Imagining Conceptions of Nation (Abingdon and New York: Routledge), pp145-160
2014. ‘Acts of Spectating: The Dramaturgy of the Audience’s Experience in Contemporary Theatre’, in Katalin Trencsényi and Bernadette Cochrane, eds, New Dramaturgy: International Perspectives on Theory and Practice (London: Methuen), pp225-41.
2013. ‘Spectres of Subjectivity: On the Fetish of Identity in (Post-)Postdramatic Choreography’, in Jerome Carroll, Steve Giles, and Karen-Juers Munby, eds, Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance (London: Methuen), pp111-128.
2008. 'Exposing The Classics: Michael Thalheimer’s Regie beyond the Text”, in Contemporary Theatre Review , Special issue 'German Theatre Beyond the Text ', 18:1, February 2008, pp.30-43, ISSN: 1477-2264 (electronic) 1048-6801 (paper)
2006. ‘Aesthetic Art to Aisthetic Act. Theatre, Media, Intermedial Performance’, in Chiel Kattenbelt and Freda Chapple, eds, Intermediality in Theatre and Performance (Amsterdam & New York: Rodopi), pp103-116.
2002. körPERformance 1.0. Theorie und Analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen Theater (München: ePodium)
I regularly teach as visiting lecturer, for instance at Freie Universität Berlin (Institute for Theatre Studies), Hochschule für Schauspielkunst "Ernst Busch“, and the Université Grenoble Alpes (Master Création Artistique), and I regularly collaborate with external partners, such as Goethe Institute, V&A, and Barbican on public events.
Listen to Peter's lecture Reclaiming Regietheater: The Dialectics of Directing, given at the London Theatre Seminar, Senate House, University of London (17 October 2013).
Watch Peter in conversation with former Artistic Director of Berlin Volksbühne theatre, Chris Dercon, at the international conference “Systemic Crisis in European Theatre” (April 2018).