Theatre Lighting Design, BA

Duration: 3 years full-time, October start

UCAS code: Institution code: C35; Course code: W450

Award: Bachelor of Arts (Hons) Theatre Practice

BA Theatre Lighting Design - Lighting for "Andorra".

About the course

Studying on the Theatre Lighting Design specialism of the BA (Hons) Theatre Practice degree course, you will:

  • Train in lighting design for theatre and live performance and develop the ability to make aesthetic and technical design choices
  • Learn practical skills of rigging, focusing and maintaining lighting equipment
  • Investigate aspects of video and projection design
  • Be supported and encouraged to make full use of automated lighting, video, projection, LEDs and other emerging technologies in your designs to help you become one of the leading practitioners of the next generation.

Training at Central

Our emphasis on practical as well as aesthetic training gives you the best chance of being able to create work of which you are proud, and from which you can earn a living upon graduation. Tuition is structured around practical projects in Central’s well-equipped studio and performance spaces, with rigorous investigation of the design process.

As you progress through the course, you will be encouraged to develop your own design style, supported by tutors, mentors and visiting professionals.

Industry focus at Central

You will benefit from Central’s industry focused research culture, which ensures that what we do and what we teach is at the forefront of knowledge and industry practice in theatre, events and concert touring.

Throughout the course, but especially in the third year, you will create links in your chosen area of the industry and spend some time working outside Central, to make the journey from the academic world to the professional world as smooth as possible.

You are encouraged to build and maintain valuable contacts with industry professionals and recent graduates working in theatre, events and concert touring.

Course Detail

YEAR 1: Introduction

  • Includes a solid grounding in ‘the tools of the trade’, building confidence in the practical side of creating stage lighting and working on developing your creative responses to texts and other sources.
  • You will be guided to develop your skills of collaboration, working as part of multi-disciplinary creative teams.
  • Production projects offer opportunities to take on the role of lighting designer and/or lighting programmer on a smaller show, or assistant on a larger one.

YEAR 2: Continuing the process of building practical skills and confidence as a designer

  • Through realised productions and speculative projects, you will work closely with students from other courses and visiting professionals
  • Develop your ability to communicate, negotiate and solve problems in a team environment
  • Workshops include working at height, working with electricity, programming, video design and event lighting.
  • By the end of this year, you will be able to plan, focus and plot lighting for other designers, as well as for your own designs.
  • Opportunity to complete at least one realised lighting or video design for a Central production working with a professional director.

YEAR 3: Focus on professional development

  • You will be able to take advantage of Central’s relationships with the lighting industry, including numerous alumni and leading international designers.
  • There are opportunities to continue to develop the skills of a contemporary lighting designer or video designer and gain a further understanding of the technologies involved.
  • Projects offer experience of the managerial and creative demands faced by lighting designers on larger projects and productions.
  • You will take part in an exhibition presenting a portfolio of your best work to the industry.

Download BA (Hons) Theatre Practice Course Specification 2016-2017 (1.24 MB)

Entry Requirements and Admissions

Minimum Entry Requirements

3 A Levels at BBC, BTEC ND: DDM.

Offers may vary from this, depending upon expected grades and performance at interview. Exceptional applicants who do not meet this requirement but demonstrate appropriate potential at interview and via their portfolio may be accepted. This is particularly true for candidates who do not come straight from school or college.

Admission with Academic Credit

or information on alternative entry requirements see www.ucas.com.

Application Details

This programme is still accepting applications for 2017 entry, and you are likely to be offered an interview (although UCAS will mark your application as ‘late’).

See How to Apply section for Undergraduate courses.

We particularly encourage applications from groups currently under-represented in higher education, such as students with disabilities and members of Black, Asian and Minority Ethnic groups. Find out more information on Central’s commitment to equality and diversity.

Interviews

All candidates invited to interview are asked to bring a portfolio, which should demonstrate their experience of stage lighting (no matter how small that might be) and their understanding of, and passion for, the industry they wish to train for. For more on preparing a portfolio for a lighting course, see the Association of Lighting Designers website - Training section, where the Course Leader Nick Moran has written some guidance.

International Interviews

Each year Central hosts a number of interviews outside of the UK, with a team of tutors from Central traveling to meet applicants. The international interviews are designed to replicate the London-based interview experience in every aspect (other than a tour of our site!). See our Event Finder for listings of upcoming interview locations and dates.

International Students

Visit the International Students section to view details of English language requirements for Central's courses.

Industry Links & Opportunities

Central’s lighting courses are supported by major industry partners, including White Light and PRG UK, Mesmer and 59 Productions (the video companies behind many large-scale theatre and opera productions). We also have strong links with smaller companies that were started by graduates, such as DBSL, Liteup Events and Cassius Creative.

A panel of industry experts helps final year students launch their professional careers. Many opportunities for lighting students come through the network of graduates already well-placed in theatre, concert touring and event industries. The course has excellent links with the Association of Lighting Designers (ALD), and local theatres and other venues which helps you to network in the industry, and to find placements and job opportunities.

What our students said

Joshua Gadsby

Graduated 2015, freelance Lighting Designer working across theatre, dance and live art. Recent credits include new plays directed by Nadia Fall and Simon Evans for Hampstead Theatre, and new work at Battersea Arts Centre, Nuffield Theatres, The Vaults and The Place.

Central helped me interrogate what it means to be a valuable collaborator, and understand how my specialism can enhance the process of theatre making. Being part of such an eclectic community of theatre makers, enablers and facilitators fostered a safe space for creative risk taking. Overwhelmingly, the course has helped me find my voice and encouraged me to be bold in my approach.

Recent Visiting Professionals

Lighting Designers

  • Richard Pilbrow
  • Rick Fisher
  • Andy Purves
  • Simon Corder
  • Nick Richings
  • Ziggy Jacobs
  • Katherine Williams
  • Matt Daw
  • Johanna Town.

Leading Production Lighting Specialists

  • Mark Mumford
  • Marc Callahan
  • Martin Chisnall (Harry Potter And The Cursed Child)
  • Stuart Crane (White Light).

Lighting Programmers

  • Lawrence Stromski
  • Jim Beagley

International Lighting Scenographer

  • Yaron Abulafia.

Visiting graduates

  • Jo Richardson (Co- Director of Full Production Services)
  • Adam Povey (Theatre Production Electrician and Lighting Designer)
  • Squib Swain (Concert Lighting Designer for Bombay Bicycle Club, The Streets, The Delphics, etc.)
  • Dan Hill (Lighting Designer for Paul Weller, Mark Ronson).

Graduate Employment

Graduate employment and career pathways include:

Theatre

Including as Programmer and Assistant Lighting Designer:

  • National Theatre
  • Glyndebourne
  • English National Opera
  • Sadler’s Wells
  • The Place
  • Young Vic
  • Royal Court Theatre
  • Tricycle Theatre
  • Hampstead Theatre.

Lighting Design

  • Linbury Studio Theatre at the Royal Opera House,
  • Arcola Theatre
  • Tricycle Theatre
  • Park Theatre
  • Curve Theatre Leicester
  • numerous small and medium-sized producing and receiving houses throughout the UK and Europe.

Site-specific work

  • Goat and Monkey
  • Secret Cinema
  • National Youth Theatre.

Events and Production

Graduate traineeships with White Light and Imagination

Working on events at The Royal Albert Hall, the Roundhouse, Chelsea Football Club, The O2 Arena, Geneva Motor Show and venues throughout the UK and Europe.

Video and Projection Design

Team members at:

  • English National Opera
  • Glyndebourne Festival Opera
  • National Theatre
  • Complicite
  • For bands including The Delphics, The Streets and Bombay Bicycle Club.

Concert Touring and Festivals

Including Glastonbury Festival, Latitude Festival and V Festival.

Touring Lighting Designer

Worldwide with bands such as Bombay Bicycle Club, The Streets, The Script and Mark Ronson.

Notable Graduates

Richard Pilbrow, (1955) Founder and Emeritus Chairman of Theatre Projects, and one of the world’s leading theatre design consultants and lighting designers.

David Howe (1993) Long term associate of Paul Pyant on award-winning shows such as Charlie And The Chocolate Factory, and award-winning international lighting designer in his own right.

Jamie Thompson (2003) Winner of Knights of Illumination 2012 for his work as Lighting Designer for the concert tours of the band The Script.

Matt Daw (2005) Associate Lighting Designer to multi award-winning lighting designers Bruno Poet (Sigur Ros & Miss Saigon) Paule Constable (War Horse, Berlin) and Hugh Vanstone (Shrek The Musical).

Staff on the Course

View profiles of the academic staff who teach on this course. Click on each staff member to find out more about them.

Nick Moran, BSc, FHEA, MA

Senior Lecturer, Course Leader Production Lighting and Theatre Lighting Design

Current Students

View profiles of the Class of 2017 for this course. Click on each student to see their CV.

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