MA/MFA Writing for Stage and Broadcast Media

Both the MA and MFA (Master of Fine Arts)* are vocational courses in writing drama across a range of media: TV, film, theatre and radio. They provide the opportunity for you to develop your writing abilities and learn the key techniques used by professional writers.

*subject to validation in 2011/12

Key Features
Practice-based enquiry into techniques and processes for writing for stage and screen. Series of writing projects to engage with different styles and formats of production. Associated study of writing techniques and issues of performance in relation to theatre, cinema, television and other relevant contexts.

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Course Detail

Students on the MA and the MFA engage with the same core subject matter. The MA is a one year course (or equivalent part time). The MFA is a two year course with the bulk of the Central-based teaching in the first year where MFA students share certain MA units.

The MA and MFA are taught in group sessions and through individual tutorials. During these sessions you will consider the fundamentals of dramatic writing. Indicatively these will include structure, narrative, dramatic action, genre, character, dialogue and rhetorical effect. You will study different approaches to writing including individual authorship, group writing and writing to specific briefs. You will attend masterclasses, seminars and workshops that focus on particular modes of writing for different production contexts. You will be part of a writers’ group, providing peer support in developing your writing. This vocational work is complemented by individual research and appropriate theoretical discussion and enquiry. You will address historical, theoretical and critical contexts within which traditions of dramatic writing have evolved.

You will engage in a range of projects that test and develop your skills as a writer of drama. Indicatively, these will include: forming a team of writers to evolve a television series, writing a short play script for a staged reading, writing a short film script, writing a radio play and developing and writing a complete dramatic script for production in a particular medium of your choice (stage, radio, TV or film). In undertaking these projects you will acquire an understanding of working in different formats, as well as the role of the writer in current production processes.

Through an options unit you will have the opportunity, should you wish, to explore alternative modes of writing, such as writing in the community. You will also gain some knowledge of commissioning and production protocols in different media. 

We host an informal series of talks, bringing in guest speakers. Past speakers from across the industry have included Mike Leigh, Chloe Moss, Sarah Daniels, Dennis Kelly, Tim Crouch, Simon Stephens, Ronald Harwood, Tracey Letts, Paul Ashton of the BBC Writers Room, Ola Animashawun, Ruth Little and Mel Kenyon. Central also has links with the Royal Court, Hampstead Theatre and the BBC.

Additional information about the MFA

In the first year of the MFA, you will join the MA students for two-thirds of their course.  The MFA extends into a second year that engages you with further specialist subject skills. You are offered extended and sustained experience, working closely with members of the related industry to embed yourself as a professional practitioner. In the second year of the course, you are encouraged to specialise in one or more directions building on the first year teaching. The MFA second year widens the opportunities to practice knowledge within a context and framework where pertinent questions can be asked, protocols tested and new structures suggested. You will be expected to undertake tutorials and occasional seminars, although these may be by Skype or virtual seminar facilities.

Within the 1200 hours of the second year of the MFA in WSBM, students will complete two full length dramatic texts in the medium of the writer's choice, an accompanying critical reflection and a portfolio comprising, for example, relevant supporting material taken from the writer's journal, any treatments the writer may have produced, a plan for professional development, indication of professional contacts developed whilst on the programme, a report on any 'placement' activity that may have been undertaken whilst doing the project (e.g. if the student attended meetings in a theatre literary department). The MfA course will work closely with a professional theatre literary department such as, for example, the Royal Court Theatre in London.

Which course is for me?

Both courses offer a masters award. The MA runs over one year, the MFA over two. The MFA offers a further embedding of skills and concepts learnt during its second year. In some countries, the MFA is more recognisable, particularly if you are interested in teaching or research in a higher education environment.

 

Assessment
Peer assessment, practical assignments, essay, scheme of research, and presentation. Submission of a practitioner portfolio, including personal insights, research, your own scripted material and a plan for professional development.
Staff
Course Leader, Writing for Stage and Broadcast Media and Programme Convenor Research Degrees
Course Videos
Qualification
MA Writing for Stage and Broadcast Media (180 credits). MFA Writing for Stage and Broadcast Media (240 credits).
Postgraduate Diploma Writing for Stage and Broadcast Media (120 credits)
Duration
MA: one year, full-time; two years, part-time, October start. Full-time on-site attendance between July and October is not mandatory. MFA: two years full-time (other flexible modes may be available by negotiation), October start.
Open Days
15 Nov 2012 - 6:00pm
24 Jan 2013 - 6:00pm
16 May 2013 - 6:00pm
Productions
See all Productions.