Script analysis

Mark Swetz

Abstract

In Blind Spectatorship: Directing, Dramaturgy and Non-Visual Accessibility, there are three questions being addressed:

Alejandro Postigo

Abstract

My research focuses on questions of cultural identity and the formation of Spanish Music Theatre. Music Theatre in Spain has existed since olden times, but what we know today as Music Theatre is a completely new and unknown imported genre that has suddenly become a great success in the country. Essentially big foreign companies have been translating the originally English written musicals, leaving in place the original production values and the Anglo-Saxon cultural trends.

Amanda Brennan, BA, MA

Name
Amanda Brennan, BA, MA

Amanda Brennan is an actor, teacher and director. She joined Central in September 2005. Her areas of specialism include actor training, in particular the pedagogy of teaching and coaching, psycho-physical acting methods, notably Michael Chekhov Techniques, and Screen Acting.

Profile Type
A
Type
Profile Image
Courses
Postgraduate Courses›Masters›MA Acting for Screen
Postgraduate Courses›Masters›MA Actor Training and Coaching
Position
Senior Lecturer and Course Leader, Acting for Screen and Actor Training and Coaching
Qualifications
BA (Hons), Dartington
MA, Middlesex University
Certificate in Education (Specialising in Adult Learners), City Literary Institute and University of Nottingham
Teaching Areas
Acting
Casting
Michael Chekhov's methods and screen acting technique
Script analysis
Email
amanda.brennan@cssd.ac.uk

Deirdre McLaughlin

Abstract

Emotional Memory: An Exploration of the Actor’s Inner Life On the Stage and In the Mind investigates the following questions: