Producing

Mark Swetz

Abstract

In Blind Spectatorship: Directing, Dramaturgy and Non-Visual Accessibility, there are three questions being addressed:

Shaun May

In my thesis, I want to use the work of Heidegger, specifically his ‘fundamental ontology’, to build a phenomenology of two areas of humour. First, the comic failure (of body and objects) and second, anthropomorphic humour.

Karl Rouse, BA, MA, FRSA

Name
Karl Rouse, BA, MA, FRSA

Karl joined Central in 2004 having previously been the first Director of Performance at Capital City Academy under the direction of Sir Frank Lowe. Karl had also worked at inner city colleges, schools and prisons within the UK and USA, often with troubled and difficult groups.

Profile Type
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Type
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Courses
Undergraduate CoursesBA (Hons) Theatre PracticePerformance Arts
Undergraduate CoursesBA (Hons) Theatre PracticePuppetry
Position
Senior Lecturer, Alternative Theatre and New Performance Practice and Pathway Leader, Performance Arts
Qualifications
BA (Hons) Performing Arts, University of Salford
MA Performance Studies, Tisch School of the Arts, New York
MA Text & Performance Studies, Royal Academy of Dramatic Art
Teaching Areas
Cultural leadership
Emotional intelligence
Enterprise
Performance Arts
Producing