|
Nicola Abraham |
ARTiculate 2 REconstruct |
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Hannah Ballou |
hoo:ha, Illuminating and exploiting the dissonance between laughter and desire with the female comic body |
|
Tania Batzoglou |
Towards the pedagogy of the psyche into psychophysical training: applying the Sesame drama and movement therapy approach for |
|
Claudio Beghelli |
Intercultural exchanges in theatrical culinary practices. |
|
Luis Manuel Campos |
Epistemological Performance: Mapping the Epistemic Subject in Contemporary Theatrical Performance |
|
Broderick D. V. Chow |
How to Do Things with Jokes: Relocating the political dimension of performance comedy |
|
Rachel Cockburn |
The Aesthetics of Auto( )graphy |
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Silvia Teodora Dumitriu |
Theatricality. An Alternative Antimimetic Approach |
|
Helen Evans |
Interactive Theatre: Democracy under Surveillance? |
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Charla Givans |
Dramatherapy and Children and Young People with Depression: An Investigation into Evaluation Models |
|
Jessica Hartley |
Guided Practices in Facing Danger: Experiences of Risky Work with Adolescents |
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Bryony Markwick |
Sexual Violence and Erotic Suffering on the Early Modern Stage: Control and Understanding of the Body and Mind |
|
Shaun May |
Heidegger and the ‘Humour of the Human’ |
|
Deirdre McLaughlin |
Emotional Memory: An Exploration of the Actor’s Inner Life On the Stage and In the Mind |
|
Joseph Mercier |
F*ck the Stage: Queer Strategies for (Re)Directing Dance Theatre Practices |
|
Nando Messias |
Towards a New Sissiography: Reinscribing the Sissy in Body, Abuse and Space in Dance-Theatre Performance |
|
James Palm |
Practical Aesthetics, Acting Shallow and the Ontology of the Actor |
|
Paul Piris |
Phenomenological study of the visible presence of the puppeteer in contemporary puppet theatre |
|
Alejandro Postigo |
Rediscovering Spanish Musical Theatre: exploring an intercultural adaptation of Copla |
|
Rebecca Reeves |
Devising realism: examining the use of realist strategies for characterisation in contemporary British devising practices. |
|
Jo Ronan |
Collaborative Vision of Theatre-Making in a Capitalist Society |
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Kiki (Vasiliki) Selioni |
A Re-evaluation of Laban Principles for Actors in view of the Aristotelian Concept of Mimesis |
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Mark Swetz |
Blind Spectatorship: Phenomenology, Dramaturgy and Non-Visual Accessibility |
|
Lorna Thomas |
Bringing Queer to the Masses; Overcoming hegemonic modes of representation in costume design |
|
Young Yoo |
The Cult of The Feminine in Surrealist Theatre |
