Publications

Staff research involves explorations in and through a variety of media, and publication is only part of how we share our results. Investigations into performance, movement, voice, light, objects and sound can also involve showings, CDs, performed presentations, DVDs or other modes of dissemination.

Recently Published

Alexander, Catherine

2010 ‘Complicité: The Elephant Vanishes (2003/04): ‘The elephant and keeper have vanished completely… They will never be coming back’, in Making Contemporary Theatre: International rehearsal processes, (eds) Jen Harvie and Andy Lavender Manchester University Press

Anderson, Joel

2010 ‘The Director’s New Task’ in Contemporary European Theatre Directors, (eds) Maria M Delgado and Dan Reballato Routledge

2009 ‘Theatrical Photography, Photographic Theatre and the Still’, in About Performance 8: Still Moving: Photography and Live Performance, ed. Gay McAuley University of Sydney

2009 'Physical Theatre and the Dramaturgy of the Actor' in Politik Mit Dem Körper: Performative Praktiken in Theater, Medien und Alltagskultur siet 1968 (eds) Friedemann Kreuder and Michael Bachmann Bielefeld: transcript Verlag

Astles, Cariad

2010 ‘Puppetry Training for Contemporary Live Theatre’, in Theatre, Dance and Performance Training (eds) Simon Murray and Jonathan Pitches 1:1 Taylor and Francis

2009 ‘Wood and Waterfall: Puppetry training and its anthropology’, in Performance Research: On Training, (eds) Richard Gough and Simon Shepherd 14:2 Routledge

2009 ‘Dancing Giants and Bigheads: Processions and Puppets in Catalonia’, in Animated Advances, (ed) Dorothy Max Prior Puppet Centre

2009 ‘Barcelona: Earth, Puppets and Embodiment’, in Performance, Embodiment and Cultural Memory, (eds) Colin Counsell and Roberta Mock Cambridge Scholars

2009 ‘African spectacle within Cuban theatre’, in African Theatre Journal: African Theatre in the Diaspora, (ed) Osita Okagbue The John Hopskins University Press

2008 ‘Alternative Puppet Bodies’, in Móin-móin: Revista de estudos sobre teatro de formas animadas (Sociedade Cultura Artística de Jaraguá do Sul—SCAR

2007 ‘Catalan Puppet Theatre: a process of cultural affirmation’, in Contemporary Theatre Review Special Issue: Catalan Theatre 1975-2006: Politics, Identity and Performance, (eds) Maria Delgado, David George and Lourdes Orozco 17:3 Taylor and Francis

Barker, Paul

2011 El Gallo: Opera for 6 Actors and 2 String Quartets Without Text, commissioned by Teatro de Ciertos Habitantes and supported by AQEF. Premiered in Europe 2010 and toured in venues including Brighton Festival in May 2010 and is scheduled to be performed in Chicago Museum of Contemporary Art and Seattle, Washington in April/May

2010-12 Hello, Mr.Darwin! commissioned by Opera UK, Text and Directed by Jane McCulloch. Premier at Burdett-Coutts Primary School, November 25^th 2010, UK tour in planning 2011-12

2010 Commission for work for solo clarinet in the series of chamber music theatre for Joan Lluna, London May

2010 ‘Creative Arts and Peace’, in Encyclopaedia of Peace Oxford University Press

2010 ‘Theatre of War and Peace’, in Encyclopaedia of Peace Oxford University Press

2010 ‘La Malinche’ (ca. 4 minutes) commission for ‘Solo Rumores’ solo piano by Ana Cervantes, performed at Premier Festival Cervantino and University of Austin in Texas

Brown, Ross

2010 ‘Sound Design: The Scenography of Engagement and Distraction’, in Theatre and Performance Design: a Reader in Scenography (eds) J. Collins and A. Nisbett Routledge

2009 Sound: a reader in theatre practice Palgrave Macmillan

2009 ‘Noise, Memory, Gesture: the Theatre in a Minute’s Silence’, in Performance, Embodiment & Cultural Memory, (eds) Roberta Mock and Colin Counsell Cambridge Scholars

Bryon, Experience

2012 'From Walking and Talking to Cartwheels and High Cs: An examination of practice-based laboratory work into physio-vocal integration, Theatre, Dance and Performance Training', Taylor and Francis

2009 ‘Interdisciplinarity and Embodied Knowledge: Towards an Active Aesthetic Using Integrative Performance Practice’, in Tanz im Musiktheater – Tanz als Musiktheater, (eds) Thomas Betzwieser, Anno Mungen, Andreas Münzmay, Stephanie Schroedter Königshausen and Neumann

Donger, Simon

2011 ‘Oblique Intimacies: The Scenographic Body’s Ethics of Desire’, in Monitoring Scenography 3: Space and Desire, (ed) T. Brejzek University of Zurich.

2011 'Broken Maze', in Intersection: Intimacy and Spectacle, ed Bodja Lotker and Martina Cerna Prague Quadrenial

2010 ORLAN: A Hybrid of Body of Artworks, (eds) Simon Donger, with Simon Shepherd and ORLAN Routledge

2010 ‘'Carnal Vertigo', in ORLAN: A Hybrid of Body of Artworks, (eds) Simon Donger, with Simon Shepherd and ORLAN Routledge

2009 ‘ORLAN-Vertigo/Self-Touching-You’, in Interfaces of Performance, ed. J. Jefferies, R. Zerihan and M. Chatzichristodoulou Farnham: Ashgate

Dunbar, Zachary

2012 ‘Melodic Intentions: Speaking Text in Postdramatic Dance Theatre’, in Theatre Noise: The Sound of Performance, (eds) Lynne Kendrick, David Roesner, Newcastle Cambridge Scholars Publishing

2011 'Dionysian Reflections upon A Chorus Line' in Studies in Musical Theatre, (eds) Dominic Symonds, George Burrows, University of Plymouth/Intellect Ltd

2011 ‘Music Theatre’, in Cambridge Companion to Theatre History, (eds) David Wiles, Christine Dymkowski, Cambridge University Press

2009 ‘From à la carte to Convergence: Symptoms of Interdisciplinarity in Reception Theory’, in Theorising Performance: Greek Drama, Cultural History, and Critical Practice, (ed) Edith Hall Duckworth & Co. Ltd

Fisher, Tony

2011 '"Aesthetics and the Political: An Essay on Francis Alÿs's 'Green Line,'" Cultural Critique (Issue #78)

2010 ‘Heidegger's Generative Thesis’, in European Journal of Philosophy Wiley 18:2

2010 ‘Heidegger and the Narrativity Debate’, in Continental Philosophy Review Springer

2009 ‘Bad Faith and the Actor: Onto-mimetology from a Sartrean Point of View’, in Sartre Studies International Vol 15, No 1, Berghan

Francis, Penny

2011 Puppetry: A reader in theatre practice Palgrave

Green, Debbie

2009 ‘Integrated Movement Practices and the Breath’, in Breath in Action, (eds) Jane Boston and Rena Cook Jessica Kingsley

Hougham, Richard

2009 ‘The Stone Soup: Towards a Mythological Intelligence’ in The Arts in Arts Therapy, A European Perspective, ed. S. Scoble and M. Ross University of Plymouth Press

Kendrick, Lynne

2012 ‘Applied Aurality: Noise and the Aesthetics of Access’ in Theatre Noise: the Sound of Performance, eds. Kendrick, L & Roesner, D. Newcastle: Cambridge Scholars Publishing

2012 Kendrick, L. & Roesner, D. Theatre Noise: the Sound of Performance, Newcastle: Cambridge Scholars Publishing

2011 ‘A paidic aesthetic: an analysis of games in Philippe Gaulier’s ludic pedagogy’ in Theatre, Dance and Performance Training Vol 2 (1) London: Routledge

Mackey, Sally

2011 (with Amanda Stuart Fisher) ‘Theatre Applications: locations, event, futurity ‘ in RiDE: the Journal of Applied Theatre and Performance Vol 16, No. 3.

2010 ‘Performing Place: an interrogation through praxis’ in Practice-as-Research: in Performance and Screen DVD, ed. L. Allegue et al Basingstoke: Palgrave Macmillan

2009 ‘Performing Place: an interrogation through praxis’ in Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (Eds.), Practice-as-Research: in Performance and Screen DVD, London: Palgrave Macmillan.

2007 ‘Taking place: Some reflections on site, performance and community’, with Nicholas Whybrow, in Research in Drama Education: The Journal of Applied Theatre and Performance 12:1 Routledge

McAllister-Viel, Tara

2009 ‘Dahnjeon breathing’, in Breath in Action, (eds) Jane Boston and Rena Cook (Jessica Kingsley

2009 ‘(Re)considering the Role of Breath in Training Actors' Voices: Insights from Dahnjeon Breathing and the Phenomena of Breath’, in Theatre Topics 19:2 The John Hopkins University Press

2009 Voicing Culture: Training Korean Actors' Voices through the Namdaemun Market Projects’ in Modern Drama 52:4

McNamara, Catherine

2011 'Applied Theatre: Fleshing out/ bringing into touch the practice of research and research of practice’ in Research Methods in Theatre and Performance: Research Methods for the Arts and Humanities (eds.) B. Kershaw, H. Nicholson, Edinburgh: Edinburgh University Press, (co-authored with Jenny Hughes and Jenny Kidd)

2008 ‘The Pedagogy and Performance of Sci:dentities’ in Creative Encounters, (eds) Levinson, Ralph, Helen Nicholson & Simon Parry, London: Wellcome Trust, (co-authored with Dr. Alison Rooke)

Moran, Nick

2010 Resisting the Lure of the Screen, International Journal of Performance Arts and Digital Media 6:1

2009 ‘Lighting for Collaborative and Devised Theatre’ in The Orientations Trilogy (Published with the support for the cultural programme of the European Union)

Munro, Jane

2010 ‘Methods and Motivation for Participatory Dance in Choreographic Practices, Online Journal

Nelson, Robin

2011 'Stephen Poliakoff on Stage and Screen' A & C Black Publishers Ltd

2010 Mapping Intermediality and Performance, (eds) Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender and Robin Nelson Amsterdam University Press

2010 'Perspective Mapping' in Mapping Intermediality and Performance, (eds) Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender and Robin Nelson Amsterdam University Press

2009 'Life on Mars' in The Essential Cult TV Reader (ed) David Lavery: The University Press of Kentucky

Preston, Sheila

2011 'Back on whose track? Reframing ideologies of inclusion and misrecognition in a participatory theatre project with young people in London' in Research in Drama and Education: The Journal of Applied Theatre and Performance, 16:02 Routledge

2009 The Applied Theatre Reader, (eds) Tim Prentki and Sheila Preston Routledge

Shepherd, Simon

2010 ORLAN: A Hybrid of Body of Artworks, (eds) Simon Donger, with Simon Shepherd and ORLAN Routledge

2010 ‘The Matter of ORLAN’, in ORLAN: A Hybrid of Body of Artworks, (eds) Simon Donger, with Simon Shepherd and ORLAN Routledge

2010 Studying Plays (third edition), with Mick Wallis Bloomsbury

2009 Performance Research: On Training, (eds) Richard Gough and Simon Shepherd 14:2 Routledge

2009 ‘The Institution of Training’ in Performance Research: On Training, (eds) Richard Gough and Simon Shepherd 14:2 Routledge

2009 The Cambridge Introduction to Modern British Theatre Cambridge University Press

Stuart-Fisher, Amanda

2011 'That’s who I’d be, if I could sing!’, in Studies in Theatre and Performance, (ed) Derek Paget, Intellect Ltd

2009 ‘Bearing Witness: The Position of Theatre Makers in the Telling of Trauma’, in The Applied Theatre Reader, (eds) Tim Prentki and Sheila Preston Routledge

2008 Introduction, Theatre as Witness: Three Testimonial Plays from South Africa, (ed) Yael Farber Oberon Books

Terret, Liselle

2009 ‘Who’s got the Power? Performance and Self-Advocacy for People with Learning Difficulties’, in The Applied Theatre Reader, (eds) Tim Prentki and Sheila Preston Routledge

White, Gareth

2012 'Actual and Figurative Noise: The potential of audience participation' in Theatre Noise (ed. Lynne Kendrick and David Roesner, Cambridge Scholars)

2012 'Noise, Conceptual Noise, and the Potential of Audience Participation’ in Theatre Noise, ed. D. Roesner and L. Kendrick, Cambridge University Press

2010 ‘Devising and Advocacy: The Red Room's Unstated’, in Devising in Process, (eds) J. Smart and A. Mermikides Palgrave

2009 ‘Odd Anonymised Needs: Punchdrunk's masked spectator’, in Modes of Spectating, (eds) Alison Oddey and Christine White Intellect

White, ML

2009 ‘Ethnography 2.0: writing with digital video’, in Ethnography and Education 4:3 Routledge

Forthcoming and contracted publications

Astles, Cariad

2012 ‘Shadows and Objects’, in Butterflying Barcelona, (ed) Helena Buffery (University of Wales Press

Barker, Paul

2012 ‘Transgression No.1’ for solo clarinet, to be premiered in Barcelona, Spain, 6 March, 2012

2012 ‘Arts & Wars’, Palgrave Macmillan.

2012 A round-table on the opera ‘El Gallo’, for 6 actors and 2 string quartets without words, The Theory, Practice and Business of Opera Today conference at Leeds University, 12-14 April 2012'

Busby, Selina

2012 S. Busby and C. McNamara, ‘International collaborations: A Theatre for Social Justice project in the UK’, in Setting the Stage for Social Justice: Grappling with the Whys, Hows and Ends of Collaboratively Developed Activist Theatre (working title), ed. N. Bowles and D. Nadon, Southern Illinois University Press.

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Recently Published

Francis, Penny

Forthcoming and contracted publications