This event will be a conversation between Sean Holmes, Artistic Director of the Lyric, Hammersmith and Tom Cornford about making theatre in 2017.
This evening will review Jane Scott’s ironic melodramas, her ground-breaking contemporary comedies, the manic edge of her burlesques, and the way in which her works anticipate and have been waiting for post-Modern understanding of the pre-Victorian.
The theme of this year's Intersections in "Practicing Reference(s)/Referencing Practice(s)". What does it mean to reference — to refer to — performance? And in what ways might performance reference, refer to, us?
The concept of care has yet to be fully investigated within performance-based scholarship. This symposium signals the start of a new project that explores how concepts of care can be developed, troubled and enhanced through an engagement with performance-based work and, simultaneously, how performance can be re-thought and re-imagined through a dialogue with care ethics.
An opportunity to find out more about Central's vibrant and diverse Research degrees programme.
‘I am sitting here knowing that what I say in the next ten seconds, what I do in the next half-hour, may transform my life to a dreamed-of place where I am recognised endlessly...’
If we want to research and analyse acting, and especially what can be called physical acting, how do we talk or write about movement, space, rhythm and sound/voice?
This German expressionist play explodes the cosy hypocrisy of bourgeois life.
This talk explores how an Ibero-American finishing fund competition known as ‘Films in Progress’, based at the San Sebastian Film Festival in Spain, helps Latin American films to be completed in order that these films have a chance of entering a prestigious, European film festival the following year.
Join MA/MFA Movement: Directing and Teaching team member Ioli Filippakopoulou for this free practical workshop.