Explore Fitzmaurice Voicework®, a body-centred approach to vocal training that engages the breath, voice, body, nervous system and imagination - all in the service of speaking and singing with connection, intention and presence with minimal effort.
This training seeks to engage the body, from the point of release, flow and action. The training allows you to become more confident, expressive and articulate both in performance and everyday life.
A course which develops your skills as a musical theatre performer, with specific classes on singing, dance, improvisation, text analysis, voice, movement and character development.
An opportunity to explore how to perform in musical theatre and to develop skills used in the various performance strands of musical theatre, including singing, movement and acting.
This intensive short course for theatre professionals will explore how dramatherapy techniques can be used to establish a safe, creative and productive rehearsal room.
A practical introduction to physical theatre, devising and theatre-making. Exploring a broad range of creative approaches, the course will stimulate your imagination, develop your collaborative, making and performance skills while offering insights and explorations into the world of theatre-making.
Begin to engage practically and theoretically with Shakespeare’s plays by learning how to perform Shakespearean texts, bring a critical perspective, and evaluate the choices available to the actor.
Over three weeks you will work as part of a company with a range of tutors and a professional director, staging a semi-realised show at the end of the course.
This summer and autumn, Topher Campbell with be leading Central’s first Mentoring Programme for Black and Black LQBTQ+ artists interested in making work for the stage or interdisciplinary performance work.
Work practically with Stanislavski exercises to activate the body’s potential and unite the physical with the psychological to achieve a more rounded character.
Combat and Stage Fighting is a necessity in today’s film, theatre and media industries. This course teaches effective illusions of violence, whether unarmed or with weapons.
Building on the work done in Voice for Performance: An Introduction, this practical course investigates the connection between thought, emotion, breath, voice and spoken word.