Find out about upcoming BA (Hons) Theatre Practice (including Scenic Art) open days at Central.
Studying on the Scenic Art specialism of the BA (Hons) Theatre Practice degree course, you will:
The role of scenic artist requires excellent artistic skills, combined with the ability to work independently, or as part of a team, accurately and to deadlines, meeting design specifications agreed with the set designer or art director. On the Scenic Art specialism you will gain experience of working in a wide range of materials, textures, scenic finishes and effects enabling you to interpret the design to the level of finish expected by contemporary audiences.
You will develop skills in research, analysis and interpretation, working on both large and small-scale elements on a variety of surfaces and materials. You will learn techniques such as marbling, wood graining, lettering, spray gun and texturing, as well as gaining a good understanding of art history, period styles and architecture.
There will be the opportunity for you to develop excellent and comprehensive artistic and scenic skills as part of a scenic art team on public productions, working closely with students of other theatre disciplines, to contribute to the overall understanding of performance and theatre production.
As the course progresses and your skills develop, your level of responsibility and involvement will increase. The project work that is chosen is negotiated to fit with the area(s) of the industry in which you are most keen to make your career.
Interested in applying for 2017 entry? This programme is still accepting applications, and you are likely to be offered an interview; sign up for an interview slot by filling out this form.
Our standard academic entry requirements range between 120 and 64 UCAS tariff points. You can see how many tariff points your qualifications would gain on the UCAS Tariff Calculator. International qualifications and others not covered within the UCAS tariff can also be accepted. Please email us if you need further clarification.
Please note that we make lower offers (including unconditional) to exceptional candidates and those who have alternative or prior experience to offer. All candidates invited to interview are asked to bring a portfolio. Interview and portfolio are key factors in determining which applicants are accepted on to the course.
For information on alternative entry requirements please see www.ucas.com.
We particularly encourage applications from groups currently under-represented in higher education, such as students with disabilities and members of Black, Asian and Minority Ethnic groups. Find out more information on Central’s commitment to equality and diversity.
Find out more about the interview process for this course.
Each year Central hosts a number of interviews outside of the UK, with a team of tutors from Central traveling to meet applicants. The international interviews are designed to replicate the London-based interview experience in every aspect (other than a tour of our site!). See our Event Finder for listings of upcoming interview locations and dates.
You will benefit from the established links the course has with some of the leading London-based freelance scenic artists.
Through placements in the second and third years, students have worked with scenic artists on West End productions such as the English National Ballet’s Nutcracker, Annie, Charlie And The Chocolate Factory, Love Never Dies, Grease, We Will Rock You, Singing In The Rain and Peter And Alice. Students have also regularly undertaken placements on productions at the National Theatre, the Royal Opera House, Salisbury Playhouse and Watford Palace Theatre.
Through links the course has established with other industries, such as window display, festivals, events and theme parks, students have been able to broaden their scope of skills and expertise working on a diverse range of projects.
Examples are painting the display ‘live’ in the windows of London’s well-known Conran Shop, The Bar Of Ideas for the Glastonbury Festival, and at Thorpe Park.
The course has links with established scenic studios, such as Harvey Nichol’s window dressing department, Rocket Scenery, Scott Fleary, Souvenir and Scena, where students have had the opportunity to work on television shows such as Friends Like These, QI, Ant & Dec, The All-Star Cup, The National Music Awards and the Olivier Awards.
Many opportunities arise through the network of graduates already well-placed in theatre and contacts made with the professional designers who work on public productions at Central.
Graduated 2013, freelance Scenic and Mural Artist. Recent commissions as Scenic Artist include Capital Scenery, the Contemporary American Theater Festival, Cleveland Playhouse, Indiana Repertory Theatre and Utah Shakespeare Festival.
Lectures, such as ‘Gender in Theatre’ and ‘Race in Theatre’, introduce you to many aspects of the industry on an intellectual level, while sessions on how to create CVs and portfolios, be self-employed or start your own business help to prepare you for the nitty-gritty of becoming a professional. Undertaking work placements on the course gave me many opportunities to network with professionals and production companies.
Lionel Stanhope, Andy Greenfield, Julian Walker, Sue Dunlop, Janice Gorringe, Gordon Aldred, Stewart Hall, Jenny Knott from Roscoe Paints, Mark Chapman from Bristol Paints, Natalie Perkins, James Hunt, Philip Engleheart, Michael Taylor, Gary Thorne.
Graduate employment and career pathways include:
Scenic Artist, on productions at:
Head of Design Realisation, Guildhall School of Music & Drama.
Display Manager, Harvey Nichols.
Resident Designer and Scenic Artist, The Mill at Sonning.
Founder members of companies
Ben Sumner (1977) Head of Design Realisation at Guildhall School of Music & Drama.
Christabel (Tink) Cant (2007) Scenic Artist at the Royal Shakespeare Company throughout 2014.
View profiles of the academic staff who teach on this course. Click on each staff member to find out more about them.